Category: The creative brain

Heavy Mental

by clairezorn, posted in Faith, Interviews, Life, Mental as anything, Popular cultural things, Process, The creative brain

Hey there, web surfers (remember when that was a thing? What a bunch of dorks we all were. Or maybe just me.)

If you haven’t noticed, World Mental Health Day has been a thing this week. I don’t know exactly what day it is/was because I am on holidays and I don’t know what day it is in general. But it’s sometime around now. Anyway, bumbling aside, I did an interview with the Centre for Public Christianity about my mental health thing, my past life as an awkward teenager, the way pretend play set me up for becoming an author, and Jesus going on a fishing trip.

You may notice that I sound a bit doubtful when talking about Jesus and his fishing trip, this is because Anxiety was whispering in my ear ‘You’re getting this wrong. You’re always getting things wrong. You really should shut up’ despite the fact that I know the story very well. That’s the kind of crap Anxiety does. Thanks, Anxiety – ya nong.

You can listen to the podcast here. You can also download it and stuff

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Thank You

by clairezorn, posted in Mental as anything, The creative brain

Hey people,

I just wanted to thank you all for the amazing response I received after I wrote my previous blog post. The messages of support – including many from the amazing community of YA writers – have been overwhelming in a really really good way.

I’m currently doing okay. It’s up and down and the road to recovery isn’t quite as short as I would like it to be, but I am blessed with a beautiful, supportive family and amazing friends. At the moment I am focusing on my recovery so I’m a bit quiet on the social media front. I’m writing when I can, but I’ve found the most helpful thing for me at the moment is drawing and painting. Some of you may be aware I’m working on a picture book; it’s about octopuses, because they are frigging amazing and peculiar creatures. If you follow me on Instagram at claire_zorn you can catch the occasional glimpse of my work.

Claire x

So Much to Tell You* (Hi from the psych hospital. No really.)

by clairezorn, posted in Confusion, Life, Mental as anything, The creative brain

First up: if this post raises any concerns for you please, please call Lifeline on 13 11 14, Beyond Blue 1300 224 636 or if you’re a young adult you can visit www.headspace.org.au

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Hey people. It’s been a really long time. It’s been a long time since I met any readers, visited a high school or did a festival. I have three books sitting on a desk in my hospital room. I wrote them all. My name is on the cover. I have them here to remind me what my mind is capable of because  none of the author stuff – the festivals, the workshops, even the actual writing – feels real anymore. But I must have done it, because there those books are, on my desk as well as on shelves in people’s homes and bookshops. (Forgive me if my sentences are a little clunky, there are a lot of meds doing a lot of funny things in my brain right now.)  The Protected  even won The Prime Minister’s literary award, the CBCA Book of the Year, the Victorian Premier’s Award and the WA Premier’s Book Prize! That’s a lot. And it’s a bloody great height to fall from, but here we are. Or here I am.

Early one Friday morning in July I was in the car on the way to do a school visit when I got a sudden sharp achy pain in my chest and found I couldn’t breathe properly. This was accompanied by a strange liquidy hot swooshing sensation that flooded my chest, limbs and brain.  At first I thought I must have drunk my coffee too quickly. It had been such a long time since I’d had any issues with anxiety that it took me a while to realise it was a rather acute panic attack. I started to cry, consumed with the most potent terror imaginable. I pulled over. I breathed slowly and deeply. I waited for it to pass, drove to the school, did three talks on auto-pilot and a (hopefully) convincing impression of someone who is completely mentally sound. (I’ve had a lot of practice at that. I don’t know if that’s the right spelling of the word ‘practice’ in this context. I don’t care.)

I came home, had pizza and watched TV. I looked forward to the next day. But the next morning, and the morning after that, the panic was back: a great snarling black monster squirming through my body squeezing my chest and turning all the lights out in my mind.

Initially my doctor chalked it up to exhaustion. That didn’t really make sense to me because in the weeks leading up to this point I had felt better than I think I ever have in my whole life. I was super motivated, I was writing lots, drawing and painting lots, and had become very, very enthusiastic about house plants. I really wanted to believe it was exhaustion. That meant I just needed to rest and I would be sweet.

I rested. I rested really hardcore. But it didn’t make any difference. I’d have a week or so of classic anxiety, panic attacks, then sobbing and hideous depression; only for it to lift as suddenly as it had started and I’d go back feeling totally fine. This went on, up and down through July , August and September like the most hideous, poorly designed and possibly deadly rollercoaster you can imagine. (My simile game is weak at the moment, forgive me.)  Every time I thought I had come good and the glitch in my system had passed, it would bowl me over again.

I had to pull out of Byron Bay Writer’s festival. I had to cancel school visits and all my bookings for Book Week. That was the worst. I hate letting people down. I hate pulling out of commitments. I got an email from a devastated reader who had been looking forward to seeing me in Byron. I cried while I read it. I’ve been composing something in reply over and over in my head ever since, but I can’t get the words right. I like to get the words right. It’s kind of my job.

We thought maybe it was a series of viruses. We thought maybe it was something to do with meds. (Which I have taken diligently for years and up until now have served me very well.) My doc ran tests. Maybe it was my thyroid. Maybe it was diabetes. Maybe it was a brain tumour!

The MRI showed no tumour, which was good. But I longed for an answer.

(My GP, I should add, is amazing. But it’s hard to diagnose the bizarre array of symptoms I was experiencing. I was also in complete denial that it was anything wrong with my mental health, it was far more appealing for me to believe (and insist) that this was something that had gone physically wrong in my body.)

I did make it to Melbourne Writers’ Festival where I did my sessions in a daze, signed books on auto-pilot then went back to the hotel, curled in a ball and wailed. Like really ugly snotty crying, not at all dignified or glamorous; even though it was the Sofitel, which is a really, really fancy place.

I went on a European holiday with my husband and sons. We used a bit of the prize money from The Protected to go to Amsterdam, Berlin and Italy. We had some really fun times. I also had some of the absolute worst times I’d ever experienced – it’s a very special thing to have a prolonged panic/anxiety attack in the Van Gough museum while looking at the paintings poor bloody Vincent did when he was losing his own mind.

About ten days ago the rollercoaster threw me off and I was left crumpled on the floor. I couldn’t battle it anymore. I couldn’t do anything except cry and think horrible, catastrophic thoughts. All the lights went out.

So here I am in a psychiatric hospital. God has been very gracious and kind to me. If I hadn’t won those prizes I wouldn’t have been able to afford it and trust me, anyone who has ever been in a public psych ward knows you need years of therapy to get over the experience of being in a public psych ward. This hospital is a really nice one, it has good food, a gym and wifi. It is staffed with kind people who are skilled in caring for those of us who have had a run in with a rollercoaster. (That metaphor really is all I got right now, apologies.)

I’m okay. The word ‘bipolar’ is being used and that’s scary, but it’s an answer to the truly baffling experience that has been my life since July. Also, Stephen Fry has bipolar and he seems to be managing, right? I mean, the constant reruns of QI are excruciating, but I would like to have him to a dinner party. (Him and Jesus. And Truman Capote. And Rob Brydon. And Felicty Ward.)

The main reason I am writing this post (which is the only thing I have written since July) is because it’s really super important to break the stigma about mental illness. It’s very easy when you’re really down or anxious to think that everyone else in the world has it together and you are the only one not coping and therefore there is no way out for you. Do I need to list the awards again? (I don’t mind, really.) This shit can happen to anyone. Talk about it. If you are feeling like you’ve been thrown off the rollercoaster (Oh yeah, I’m still flogging that one.) tell someone. If they don’t take you seriously, tell someone else. Tell your parents, a sibling, a teacher, a friend, your doctor, or that weird aunt with a lot of house plants. Speak up. They won’t think you’re a drama queen, a freak, a nut job, or weak. They will think you are human.

Claire x

*Title is a homage to one of the writers who made me want to be a writer, John Marsden. I tried ‘Looking for Claire Zorn’ in honour of Melina Marchetta but it didn’t have the same ring to it.

The Madness in the Method – on creativity and mental illness

by clairezorn, posted in Confusion, Life, Rejection, The creative brain, The Protected, The Sky So Heavy, Uncategorized

Like many humans, I sometimes have conversations with other humans. (Real ones, not the imaginary ones I converse with for money.) Inevitably when chatting with someone new, the question of occupation comes up and that’s when I get to tell them I’m an author. It’s wonderful. My twelve year-old self (who couldn’t spell or do sums but had a catalogue of imaginary worlds and characters in her head) does backflips of glee. I’m not going to pretend for a moment that I don’t love my profession, yes writing novels is difficult, but it is a privilege and I still have a file of rejection letters in my study to remind me how blessed I am.

Sometimes the news that I am an author is met with questions about what I write, how I got published, how much money I earn or when I find the time to write. Sometimes the response is, ‘Wow, you must have a big imagination!’ This always seems to me like telling Usain Bolt that he must be quite athletic. Yep, I have a big imagination. Most humans do. I put mine to work everyday, which strengthens it and a lot of the time my imagination is very useful to me. But sometimes it can be dangerous. (This is where the Bolt analogy falls apart, unless he starts using his speed to rob banks.)

I’ve been doing a lot of school visits recently and I usually tell students that I think primarily in pictures and I see a story in my head play like a film. The pictures come easily, finding the words to do them justice and communicate them effectively to my reader is the hard part. My mind’s ability to build intricate, detailed scenes is what allows me to write novels. This is helped along by a long-term memory bank which seem inexhaustible; I can remember what colour sweater my husband was wearing on our first date thirteen years ago, for example. Do I remember my son’s school library day is Tuesday? Never. img_0815.jpg

But like it is for a lot of creative people, my mind is a double-edged sword. It can build intricate, detailed pictures of chaos so well that the worst case scenario in any situation seems highly plausible. I recently contemplated getting a quote for someone to clean my kitchen and bathroom once a fortnight, but I decided not to incase the cleaner turns out to be a serial killer. I then flicked through the handy mental list I have of female murder victims from the recent past (admittedly, there have been a lot to choose from) as evidence that inviting a stranger into my home was certain to result in my death. This is kind of funny to read. It seems ridiculous.

I’m still nervous about the cleaner.

Yep, I’m a master of catastrophic thinking. So good, in fact, that I have made a living out of thinking up catastrophes and following them through until the very end. Ever wondered what it would be like to live through a nuclear winter? I wrote a book on it. Read it and you won’t have to wonder anymore. What does the death of a sibling do to a person? I’ve got that covered too. The next book has a grief-stricken boy navigating the world after the sudden death of his mother. Guess what? I have sons.

But sometimes I can’t organise all my anxieties into a narrative. Sometimes they are so real and so threatening that they take over my existence altogether and I have trouble functioning because my mind is so busy worrying and despairing and reliving every distressing event I’ve ever experienced in that same excruciating detail that apparently makes my books win awards. Last year The Protected won three major awards. Everyone kept telling me that I must be so thrilled and excited and walking on air. I was. A bit. But it was coupled with the knowledge that within a month of being offered the publishing contract for that book I was in a psychiatric ward and that the giddy high from the awards came rapidly after one of my most gutting lows.

A huge part of managing my mental health is the acceptance of medication. I was on a very effective regime until about six weeks ago when I thought I might try to get by on a little less. I could write award-winning novels and visit schools and raise two boys and lead the music every week at church. Look at me go! ‘I’ve got this,’ I thought. ‘And imagine how much better I would have looked at the PM’s awards if I didn’t have the extra 10kgs that all the meds bring along with them!’ Yep. That was an actual motivator.

Yeah. It didn’t work. As some guys in skivies once sang, hello darkness, my old friend.

Creative work is the pursuit of perfection. I am not perfect. That sucks.

There is a lot of stuff out there about the link between creativity and mental illness. I don’t know if I can have one without the other. But I do know that with all the problems my mind brings into my life, it brings a lot of good stuff too. It makes me who I am. And to quote from one of my favourite writers, Alice Munro, ‘I am extremely okay.’

 

Creativity can be a total bitch.

by clairezorn, posted in Confusion, Death!, Life, Men, Popular cultural things, The creative brain

Philip Seymour Hoffman died. But you probably know that already. People far more eloquent than I have already written many words about it in places like the New Yorker. But there are still things to do with his death churning in my head, so I’m afraid I must subject you, dear reader, to a few of them.photo (4)

I share the opinion with many others that Hoffman was not only one of the greatest actors of our generation, but one of the greatest actors to have existed full stop. I’m pretty sure the first thing I saw him in was The Talented Mr Ripley, but the first time I really noticed how amazing he was and thought, ‘Oh that’s that guy!’ was in Punch Drunk Love with Adam Sandler. I generally avoid Adam Sandler, but Punch Drunk Love, written and directed by Paul Thomas Anderson is fopping brilliant. It includes the line ‘I love you so much I want to scoop your eyeballs out and eat them’ – so that’s pretty much case closed.

Then Hoffman played one of my favourite writers, Capote, in the film of the same name and cemented his place in my all time top five. He won the Oscar and everyone finally cottoned on to how great he was and I had that weird thing where you feel a strange ownership of someone because you know you were a fan way before almost everyone else.

I haven’t seen him in the second Hunger Games instalment. I pretty much lost my shit when I saw him in the trailer all those months ago.

And then, as you know, Monday came. I was starting to get my five-year-old ready for his first day of kindergarten when my husband read the news Philip Seymour Hoffman was dead. Heroin.

It seemed too droll for someone so brilliant. I also found it unnerving, probably not unlike when someone who has survived cancer hears of someone who hasn’t and finds themselves shaken. I have never had a drug addiction, but I have been in the place where it feels as though anything that can dull the mind is a good option. I don’t know if Hoffman suffered from depression or anxiety. But I doubt people take up heroin because they are feeling content in their existence. He clearly had a monstrously creative mind and such minds don’t often lend themselves to stability.

Creative minds are capable of accessing, quite readily, all sorts of labyrinthine tunnels of thought. These can come in very handy if you are trying to create an imaginary world, or compose a piece of music, or access an emotion so you can appear to be another person entirely. These tunnels can also present potentially catastrophic scenarios. They can unearth thoughts that would seem ridiculous if they weren’t so bloody terrifying.

The creative engine that makes a person who they are can be the very thing that destroys them.

Some people are dismissive of the idea that highly creative minds are more susceptible to mental illness, but in my opinion, the long list of people who have self-destructed in the clutches of their own creativity speaks for itself. If I were given a choice between artistic ability and perfect mental health I’m pretty sure I would choose to keep my creative brain. But then there are days I’m not so sure about that.

Either way, there’s no getting around the fact that Hoffman has joined that long list. And that, dear readers, totally sucks.